Thursday, September 4, 2014

"Design Home 2014" - Zero-Energy, Lots of Style

The last week in August, on a beautiful sunny day, Dave and I headed up the coast of the North Shore to Salisbury, Massachusetts to join a select few design bloggers and members of the press who were invited for a sneak peek at “Design Home 2014.” 

The Design Home, sponsored by Boston magazine, will be opening for public tours from September 10th through October 6th.  One hundred percent of the proceeds from ticket sales will benefit Boston Children’s Hospital, so by visiting you will not only be getting some wonderful design ideas and inspiration but also contributing to a great cause. 

Not only is the philanthropy an admirable one, but you will also see firsthand how building and decorating a home can be friendly to the environment.  This is Boston magazine’s first zero-energy Design Home, since they began ten years ago.  It is a 2,400 square foot single-family modular home built using energy-efficient construction techniques and systems, as well as eco-friendly finishes and furnishings.  Considered a “net zero-energy” structure, it will generate as much renewable energy as it consumes each year... actually a surplus, meaning that it contributes to the grid rather than takes from it.

Another difference this year is that the homeowners were involved in the entire process, and the end result is their family home, not just a show space.  Natalie and Tom Treat are both interested in living a more energy efficient life personally, while also being involved with the mission on a professional level.  They wanted a home outside of the city that would not only be quieter and more rural in feel, but also reduce their carbon footprint.  When they were not able to find a suitable existing home, they embarked on the journey to create one.

Their first step in the process was to work with BrightBuilt Home, a line of modular, high performance, low-energy homes designed by Kaplan Thompson Architects.  I am personally a huge fan of modular construction... Because modular homes are built in climate controlled facilities, the condition of the materials are not subject to weather, and additionally there is greater potential for higher levels of accuracy than most site-built situations.  

If you want to see how cool it is when the modules come together on site, check out the time-lapsed video on the "Design Home 2014" website (also for additional details on all aspects of the home’s sustainable story).  The Design Home was built by Ridgeview Construction who focuses on green building in New England.

The home’s exterior has a relaxed, country feel to it, with its board and batten style siding running both vertically and horizontally.  Tim Opgenorth, Project manager at Ridgeview Construction made the point that “While the design and choice of materials are important, it’s the details of how a house is put together that’s crucial.”  One of the details that he was referring to is orienting the building for maximum solar gain.  The roof on the south facing side of the home is clad in SunBug Solar panels which are estimated to produce 104 % of the home’s electricity needs per year while not detracting at all to the look of the home!

The Front Entry is covered in a lean-to style roof that protects residents and guests from the elements, important as this is the main entrance to the home. 

The spaces in Design Home coordinated by LisaWasserman Sivan, a Brookline-based architect and designer who “believes deeply in eco-conscious design, particularly when it comes to scale.”  She worked with the homeowners to select the interior finishes, colors palette, and kitchen layout.  Lisa worked with the sponsors that were involved in decorating the spaces throughout the home to ensure a unified flow and green sensibilities.

Once inside, the interior entry must do double duty as a guest receiving area while regularly performing everyday functions, such as a place to drop the spoils of a shopping trip!  The space was designed by Ray Bachand of 60nobscot Home, who included a serene painting from the Walsingham Gallery that speaks to the coastal location of the home and adds a welcoming touch.

Right off the Front Entry, the Powder Room is less relaxed and a bit bolder.  The walls are painted an intense sagey-green called “Wasabi,” by Benjamin Moore, and the window is treated to a Roman shade fabricated by Adorna, who did the window treatments throughout the house, in a wasabi-eggplant-goldenrod zig-zaggy chevron fabric.

Like the entry, the Family Room has to work hard as a multipurpose space.  It will serve as the family’s day-to-day place to relax and watch tv, but also where they will entertain when company comes a calling.  Even though it is not a huge room, Lynn Dayton of Dayton Home created a furniture layout and chose styles that allow for flexibility.  When catching up with friends or family is the goal, the sofa and chairs make for a lovely conversation area.  But when all eyes are on a movie, the chairs swivel around and everyone can watch comfortably.  I can relate to the success of this layout in my own home where I created a similar multi-use floor plan!  The star of the show, and common denominator in the color palette of the room, is a stunning earth- and jewel-toned rug made of repurposed silk saris from Landry & Arcari.  The linen draperies and toss pillows give a nod to the natural, green theme of the residence.

The Dining Room has to be casual enough for everyday family meals while also getting a bit gussied up for special occasions.  The dark-toned pedestal table and upholstered side chairs, from Dayton Home, fill the bill.  The linen draperies feature a leaf motif, mirroring the view outside and adding to the green concept.  Landry & Arcari’s rug began as a 1930’s Persian Tabriz, but was too worn out to reweave… so the pile was sheared down resulting in an up-to-the-moment look while extending its life… now that is “sustainability!” 


The Kitchen is considered the heart of the home, and it indeed was when we visited for our tour… so the photograph has as many people in it as cabinets… which by the way were custom crafted in walnut in the Shaker style by Jewett Farms + Co., who also did all of the reclaimed hardwood flooring, sourced from old barns and mills, throughout the home.

The Screened Porch, which is right off of the Dining Room, has an up-north vacation home vibe.  The natural stained wood framing and beadboard cladding on the gabled ceiling add to the open, airy feel.  As a three-season space, it was important to outfit it with indoor/outdoor furniture, and the sectional from YankeeFireplace looks like the perfect spot to relax with your morning coffee and newspaper, a great book and some lemonade (this could possibly result in a nap!), or entertain friends.

As you climb the stairs to the Second Floor, you are greeted by a pair of salt marsh themed oil paintings from the Walsingham Gallery.  The Hall itself runs almost the width of the home connecting the Bedrooms, Bath, Office and Laundry Room.  Traveling up and down the Hall, your feet are treated to a 16’ long Turkmen over-dyed runner from Landry & Arcari.  

The Master Bedroom is enveloped in soft tones of gray and white with the occasional introduction of lush wisteria fabrics.  The focal point of the room, which was designed by Kerry Vaughn of Red Bird Trading Co., is a four-poster bed wrapped in a cross hatch pattern gray grass cloth, which adds elegance to the space while still keeping it open and airy.  Lacquer nightstands, a Parsons-style dressing table in front of an oversized distressed wood framed mirror add some glitz and a touch of femininity.

The adjoining En Suite Master Bathroom includes water saving Kohler plumbing fixtures and a custom vanity from Jewett Farms + Co.

At the opposite end of the Hall, the Guest Bedroom is a combination of light and airy, and exotic and intriguing.  Emily Lacouture, of Now Interior Design Studio, re-purposed a vintage 1960’s hand-painted folding screen in midnight blue and brassy gold circles, from France, as her muse.  The rest of the space bows to the stepped headboard in creams and golds.  A brass bar cart doing duty as a nightstand, and the retro off-white with gold credenza, add to the sophistication of the room.

The Kid’s Bedroom next door is a bright, cherry space done in black and white palette with neon and primary accents, designed by Emily Lacouture of Now.  The combination of geometric patterns and animal prints and accessories adds to the fun of the space, which is suitable for a boy or girl, and all ages welcome!

Since the Family Bath will be utilized by both children and guests, appealing to both was key.  The coastal aqua wall color “Wythe Blue,” from Benjamin Moore’s new Colonial Williamsburg collection, combined with glistening white open up the small space.  The rattan framed mirror and aqua striped Turkish towel from Now, and art from Walsingham Gallery lend a nod to the shore.

The Laundry Room is on the Second Floor, which makes sense on many levels, so to speak.  That is where most of the laundry in a household is generated, and from an energy perspective, it makes sense not to heat a basement just so you can do laundry down there.  And laundry seems like much less of a chore in this room that is not only convenient, but filled with natural light (not so much in a basement!), lovely coastal artwork, and a stacked state-of-the-art Samsung washer and dryer.

A diminutive Office is tucked between the Family Bath and Stairway.  A custom built, modular home office piece was hand crafted by Ray Bachand of 60nobscot Home to span the entire depth of the room.  The space is ready for computer work, reading, writing, and storage, all in a small package.  The warm tones on the walls are complimented perfectly by the black walnut and cherry woods of the furniture, and a rich vintage Moroccan Berber rug woven in tones of saffron and hazelnut, from Landry & Arcari.

Most homes in New England have a space under the gable part of their roofs… flat roofs for residential buildings just don’t make a lot of sense in this climate  The spaces that result are commonly used for storage, or on occasion transformed into a bedroom.  The Design Home has a huge third floor space that spans the entire length and width of the house, so it would be a shame not to put it to use as actual living space… especially since it is the single biggest room in the house!  And thus, the Loft was born.  

One of the reasons that the space works so well is the inclusion of several good-sized windows during the design phase of the project.  Light flows in from both ends of the room as well as the stairwell which features a window above the landing.  Existing homes that convert the attic space to other functions usually don’t have the benefit of large windows, and if the divide the space with multiple walls, they also don’t get the flow-through light.  Keeping the palette pale and neutral adds to the understated elegance.

Kerry Vaughn, of Red Bird Trading Co., envisioned an artist’s atelier as her inspiration.  And because it is such a big room, she divided the space into zones.  One end is the artist studio, the middle a relaxing wine bar, the other end a sophisticated lounge.  Although it is quite luxurious, it still features natural materials and reworked pieces.

So, that is our tour… isn’t it hard to believe that you can do so much green living in such a striking fashion in only 2,400 square feet?  Please take advantage of the lovely late summer weather and make a drive to Salisbury to tour the house in person… you’ll leave inspired, and will be helping Boston Children’s Hospital.  For more info, check out Design Home 2014.  Let me know what you think!

Please note: all original photography by David Hawkins – not to be used without permission.

Friday, August 22, 2014

Harbor Lights Illuminated... The Second Floor

Welcome back… I hope that you enjoyed our tour of the First Floor of Harbor Lights, the 25th Anniversary show house of the Museums Of Old York.  As you were perusing the fabulous interiors done by the featured designers, I suspect that one of the major elements that you noticed was how much more updated the floors look.  That is thanks to the designers, who utilized some lovely artistic techniques or added beautiful area rugs, as well as the family that owns the home who contributed to the process by removing the old carpeting and either refinishing the existing wood floors where possible or added new wood where necessary.  You’ll notice this on the Second Floor as well.

So, now, let’s get going upstairs!

The first room that you arrive at once you reach the top landing is the “Guest Bedroom.”  It originally looked like a typical New England second floor bedroom, with Colonial style furnishings, and a bit feminine in pale pink with floral curtains.  Nicole Yee of NY Interiors wanted to give a nod to “the tradition of the house’s time period without feeling antiquated,” and to create a design that feels both collected and fresh.”  She achieved these goals by brightening up the entire space with creamy white walls and linens, but accentuating them with bold black furnishings and rich jewel red with pumpkin colored exotic print window treatments.  I especially loved the fact that Nicole repeated the use of black on the window frames and mullions… a very sharp ingredient in the design that I think made a big difference in the impact of the space.  The delicate and curvy black desk with curvy cabriole legs looks stunning in front of the window and contrasts nicely with all of the hard lines of the room. 


Right around the corner is the “Master Bedroom with En Suite Bath.”  The room was previously painted in a light sea green with all of the trim and fireplace done in the same green as used in the Dining Room downstairs, and had floral chintz tie-back curtains at the windows.  The sea green complemented the trees outside but did not lend much of a coastal feel, nor did it create the serene feeling that designer Renee Rucci, of Renee Rucci Interior Design, achieved with her palette of seashell rosy-taupe, gray and white.  The several steps that it takes to arrive in the space adds to the change of your mood to that of tranquility when you settle into this retreat.  The inspiration for the color scheme that Renee used throughout the space comes from her focal fabric, an Italian linen featuring a tree of life design with cranes and birds reminiscent of the seacoast.”  One of the challenges of this room was working around the dormer windows and knee walls, which every designer in New England has been challenged by!  Renee designed a custom linen-covered headboard and angled the bed under the dormered ceiling facing the fireplace for a lovely view.



Considering that the En Suite Bathroom is a bit small by today’s standards, and the original peachy/blush fixtures were kept, the end result is quite elegant thanks to the hues and finishes that Renee enlisted.


Leaving the Master Bedroom, one re-enters the real world of the Second Floor.  Right around the corner, and perfectly positioned centrally in the landing, is a “Hall Bath.”  Formerly a simple space, it was full of all things white, from the walls, to the fixtures, to the counters.  It even featured flouncy white ruffled curtains that covered up a great deal of a fabulous sea view.  Although white remains a perfect crisp accent in this updated room, it is now juxtaposed against very soft aqua blue walls, driftwood style tile surrounding the tub, an espresso vanity and display/storage wall unit, and lovely coastal accents such as a genuine sea glass art window, and wispy shell-trimmed valances which allow the beautiful sea view to become a feature in the room.


Next to the Hall Bath is the “Kid’s Bedroom,” a tiny room, but with one of the best views in the house!  Initially painted in lavenders and lilacs, with floral curtains at the windows, Michael Englehardt, of Ethan Allen, created nautical haven for a lucky little boy.  Bright white walls replaced the lavender, and the ceiling was painted blue to give the feeling of sky above.  A range of blues, from sky to cobalt to navy, compliment the seaworthy theme, as do the sailboats, fish, and rope-patterned pillow.  A student desk under the windows allows a spot for not only home work, but for dreaming of days at the beach or on a boat.


A right hand, 180 degree turn, takes you down the “Servant’s Hallway,” which is also reachable from downstairs via the back stairs that we saw on our tour of the First Floor.  Sorry to say that I don’t have a ‘before’ photo of this space… after all it was just a hall!  But not any more… Cheryl O’Donnell, of C.O’D. Decorative Painting, turned it into a work of art that makes getting from one end to the other a joy.  There are no windows and very little natural light in the space, so Cheryl kept it light with warm gray walls accented with sparkly platinum gingko leaves.  She draws you down the long, narrow hall by painting the floor in a trompe l’oeil pattern “reminiscent of an M.C. Escher drawing to create a gentle optical illusion.”

Not being able to resist traveling down the hallway, you are rewarded with more fabulous and creative artistry in the “Upstairs Powder Room.”  This bathroom is in the corner of the Second Floor that can be reached from the Hallway or the Kid’s Room, in which it originally shared a paint scheme.  It appears to not have been used for a while, and was being utilized for out-of-the-way storage.

The plumbing fixtures are an unusual and pretty lilac color, although they have a slightly different undertone than the walls did.  Because the designers, Sarah Duquette, of Duquette & Company, Inc., and Colleen Hanlon, of Colleen Hanlon Fine Decorative Painting, were enamored and inspired by the existing fixtures, they worked to highlight rather than remove them.  To complement the lilac fixtures, Sarah and Colleen “chose a combination of reddish-lavender, khaki gold, and light chestnut brown.”  They created an aquatic dream world by applying “a sheer linen finish on the walls (which) overlays a large and graphic custom painted motif of overlapping seaweed” which undulates around the room.  The floor, trim and built-in cabinets were brightened and lightened up with crisp white paint, and white towels and a chair add to the feel of a soothing spa that you never want to leave!



But leave we must… so back downstairs we go… and out into the final space, the “Open Porch.”  Georgie McGowan, of Georgie’s Home and Garden, who also did the Patio, didn't have the same amazing, sweeping harbor views to play up as she did on the Patio.  The Open Porch is located instead on the shady side of the home, and Georgie wanted to “create a quiet, open-yet-private feel for the space, where one could sit and enjoy the peaceful seclusion.”  To keep the space from feeling dark, Georgie painted the ceiling blue to bring in the sky even though the porch is enclosed, and added furnishings in lots of bright colors to keep it upbeat, as well as included fun nautical and coastal accessories.


Upon stepping out from the Open Porch, it’s hard for me to believe that the first time I visited this home there was snow all around!  Now, it is a lush Maine paradise!  Although the grounds were already landscaped with trees and plants on both the harbor side and wooded approach side of the home, Linda Zukas, of Churchill’s Gardens, enhanced the exterior “Landscaping” of the home with container plants and flowers to add the finishing touches to the property.


So, here we are at the end of the road, so to speak, of our tour of the 25th Anniversary of the Museums Of Old York show house… I hope that you enjoyed coming along! Please let me know your thoughts!

Please note: all original photography by David and Katherine Hawkins - not to be used without permission

Accompanying music “Harbor Lights” (Silk Degrees, 1976) courtesy of Boz Scaggs